Tag Archives: Characters

Cake

Everyone, firstly, I want to thank you all for following my blog. I don’t say that enough. I really do appreciate it. As a writer, it’s really wonderful to know someone sees and knows about what I do.

Secondly, I want to announce some very exciting news. I’ve reached my goal of twenty stories. Of course my book isn’t even close to finished, but twenty stories has always been a goal of mine. I’ve come this far through small bouts of epilepsy, generally being a scatter brain, family vacations, road trips, self discovery, sin, love, faith, learning, and certainly with the help of my God, so this post is meant to say “thank you” to him, too.

I’m quite excited because my friend agreed that when I wrote twenty stories she would make me cake. She makes darn good cake. I would like to celebrate with you all, too by sharing, in a way, a metaphoric piece of the cake. When I wrote my Creation story, I didn’t even know this would turn into a book. Now the first draft of the book is about half finished. So without further ado, I would like to share story number twenty.

Feorolf

As one might expect, Ferolf’s mere name struck unease at the very least, into the hearts of even the bravest souls. He was not a creature to be taken lightly. He was stronger than any man, and smarter and faster than any wolf. Yet, he was neither and both. He fought without weapons, in fact, he hardly fought at all unless absolutely necessary. He simply hunted. He hunted fear. According to legend, he did not always live in the Forest, but once terrorized the towns of an infant Kingdom. Finally, after many eternities, however, he was driven away by the earliest hunters of Kich. Some of these hunters were rumored to be descendents of the King and Queen themselves. Many were nearly mortally wounded in the effort to track him down even, because in those times there were many strange and dangerous wonders, fully alive, and without thought for human life. Luckily, it was during those times, however, that humans were mysteriously protected from death by the Barrier created by the Exile at the moment of Creation. This was, of course, before the Change.

Still, there were scattered stories of Feorolf’s mercy, and even regret about certain things. He would not hunt very young children, and would not leave them orphaned far from civilization. That is not to say he would not leave them orphaned at all, for he could be cruel. Feorolf was not a simple brute like any average predator. Though his mind was certainly not human, he was intelligent. He was strangely trusting of humans who generally wanted to hunt him down, and creatures that no one else would trust; even making the mistake on several occasions of trusting the Faceless. This never turned out well for him, but he was a forgiving creature.

Oddly, it seemed that, in a way, Feorolf’s nature was like that of the Transient spirits. It was not that he often changed without explanation, but simply that he was unreadable. It was assumed that he had his reasons for acting the way he did, and he did not share them. The truth was he was alone, and he knew it, and regretted it for it was of his own doing. We know this because he shared it with the Wisdom who always shares her knowledge with us, especially knowledge of the Creatures of the Outer Realm.

The story goes that Feorolf was the second Creature to awaken in the Outer Realm, after the Falcon of Destiny. The world was young and fearless in that first eternity, before Reome and Fritam were made by the spirit Time, and Feorolf reveled in this fearlessness. When Time faded, and fear entered the minds of the first humans, it gripped Feorolf’s heart, and all he wanted to do was kill it. In that first eternity the Falcon of Destiny gave the first humans fire. They loved it, and it filled them with joy, but they became dependent on it. Without their fire, the fear returned, and all he wanted to do was kill it, so he attacked. He ripped to shreds some of the first made humans, but to his utter dismay, he realized that this only increased his hatred of fear and the human fear of him. He wanted to help them, but he had to stay away. Any time he came close to a human, two things happened. They panicked, and he almost always went into a frenzy; compelled to destroy the fear in their hearts. He knew how to bite, and tear, and rip, and shred with claws and teeth, and he knew only contempt from humans and Creatures alike. He was eventually forced into Thorn Forest, where he lived in solitude, and slowly even grew to hate himself because he could do nothing to destroy the thing he hated most.

In time he grew darker, seeking the company of Creatures like the Faceless and the Night Bearer. It is unknown whether he ever found the Night Bearer, and in fact, its existence is entirely unverifiable. However, It is believed that it was the Night Bearer that brought fear into human hearts to begin with and that it was a creation of Chaos. It is rumored that Feorolf found it, but could not kill it, but another story says that he defeated it, and it became his slave. Still, there were occasions on which Feorolf interacted peacefully with humans. He even helped those who passed too close to Thorn Forest find safety from darker beings, and he certainly had a sense of his own responsibility for their fear. He always felt it was his duty to protect them. Still, this was rarely possible due to the fact that their level of fear was usually too overpowering for him to handle.

Feorolf treasured brave souls. He had no true friends, but the memories of bravery kept him strong. He hoped for a day when someone would come who truly did not fear him, but he doubted that day would come. Sometimes, if travelers happened to be passing through or very close to parts of the Forest, and he could find them asleep and therefore unafraid, he would try to find and steal books. He needed food, yes, but he was fully capable of getting plenty on his own. He was not a normal animal, and could survive on nearly anything and almost nothing. What he really hungered for was the truth. He needed to know where fear came from. Through eternities, he had come to believe what many humans do: to defeat one’s enemy, one had to know that enemy.

Though he spent much time sneaking and thieving and learning, it seemed that he could not come to a satisfying answer. Then it occurred to him that the answer was simple. He did not need to know where fear came from. He simply needed to usurp its power, and he knew immediately just how he would do this. People were afraid of him, largely because of stories they had heard. He needed to change the story. Among the things he had taken in his time were notebooks, many of them filled with things he had written on his quest to discover the root of fear, but some, empty. He began writing his story, and this is how he told it.

“My name is Feorolf. I am neither man nor wolf. I am no beast that is known to humans. Some of what has been said of me is true. I have killed, but it is not for the reason people think. I do not need humans for food, nor do I hate them. In some sense, I fear them as much as they fear me. I was one of the first Creatures to awaken in this world. When this Realm was formed, there was no fear, but somehow, fear entered, and I hated it. I have always hated it. I sought to destroy it, but in doing so, I made a terrible mistake. I thought killing the first humans to fear would kill the fear itself, but it only made it stronger. I have been banished because of what I have done, and rightly so. I want to right the wrongs I have done. I want to change, if I can, but if I cannot change myself, if I cannot destroy my hate for fear, I must destroy it in a peaceful way. This is my gift to all who have been affected by the fear of me, and the fear of anything else. I shall take it away, as best I can, though I do not think it will ever be possible for there to be a true bond of friendship between humans and myself. We are strangers to each other, and our natures too different. I am not an animal, but I am a beast. I freely admit this.”

He then left this, attached to a tree with a sharpened tooth he had lost. Feorolf was accustomed to using tools, though not tools one might easily recognize. Then he left that place and went far away, so someone could find it, and he would not feel the fear in them. He then wondered if he could detect other feelings in humans since he could feel fear so strongly. He decided he would try, from a safe distance. He began practicing, and after a while, he realized that he could. The trouble was that, in the Forest, fear was generally the strongest feeling. Under the safety of night, he finally decided to venture into a town rather close to the edge of the Forest. It was late, but there were still people out. He stayed in the shadows, listened to conversations and tried to feel what people were feeling. The array was like a beautiful symphony to him. He felt everything from sorrow to joy, and hope. Very late that night, he heard a man and a woman talking to each other in an upper room of a house. He could tell from their emotions that they were the only two there. He was able to catch snatches of what they were saying. They were talking about “makers,” whatever those were, and of leaving and going to Kich. He heard one of them say the name “Lydia,” though that meant nothing to him, and he heard a mention of the Falcon. He felt for the first time what he later learned was love between them, and there was joy again, too, and he felt hope so strongly coming particularly from the man, that it brought him to his knees, and he wept.

He loved hope as much as he hated fear, and he began to hunt it. He followed people cautiously, but more closely, to catch pieces of their conversations, and when he learned that they had lost something, he would seek it out, find it, and leave it somewhere with a note that read “From Feorolf.” Other times, if he learned that someone was hoping for something to happen, he tried to find ways to make it happen, and he would leave them messages, explaining what he had done. People still feared him, but slowly, outright terror morphed into cautious curiosity or perplexed wonder. The bravest souls wandered deeper into the Forest, and people in general seemed to travel with a bit more ease in their hearts. True to his nature, he still made mistakes. He still caused damage. In the worst cases, he still took lives, but he did his best to repent, and he always left notes; in many cases, leaving long letters lamenting his failure and begging the forgiveness of those he had hurt. Once, he received a letter back.

It read, “Feorolf, I’d be willing to bet you weren’t expecting a reply. I want to let you know that I forgive you, and I hope other people do, too, because I know you don’t mean to do the bad things you do, but I’m not sure other people do.” He didn’t know what he had done to whoever this was, but he was overwhelmed with gratitude. After much thought, he finally decided to leave another note for them to find. Again, he was not expecting a reply, and again, he received one. A strange correspondence grew between them, though he never learned who he was writing to. After the Change, he worried about them, but was very happy to learn that they were made young. When they grew old, he left things out for people to find, with notes explaining that the person he was writing to needed help. Eventually he received a note that read, “Feorolf, my name is Kyle. I recently learned that you were friends with my father who died several months ago. I am sorry if this is the first news you have received of his passing. His name was Andrew. I just wanted to say that you have helped us, and thank you.”

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Sneak Peek

Ladies and gentlemen, I have finished the first version of my Creation story–the first story in my mythology. I just couldn’t resist sharing it with you all, and while I most likely won’t post any other actual material from the book on here, I’ll be sure to update anyone who’s interested on my progress. It’s still rough, but I’m pretty happy with it, so without further ado…

Creation

In the beginning there were only spirits. These spirits inhabited the realms few humans understand, far fewer have traversed, still fewer dare to, and some that no one has even heard of. Many of these spirits lived together in peace, governing their lands according to their nature, and living out eternities in mutual understanding. We have heard from the mystics that in the beginning, there were far fewer realms than there are today, and the ones that did exist were, and still are mysterious, deep, and inaccessible to natural forms.

In the beginning the spirits inhabited the Spirit Realm, the Realm of Light, the Realm of Peace, The Elemental Realm, and the Transient Realm. These are the ones we know of. It has been told that the Transients and the Elementals were not content to live in harmony as the other spirits were. It is unclear when their alliance formed, nor when the Great War that broke the worlds occurred, for the spirit world does not exist in measurable time. Some surmise it must have been millennia ago. Others believe that it has simply changed and that it is an endless war that continues to create and break new realms, new creatures, new spirits; a never-ending struggle that plunges all Existence deeper into the Abyss.

Some believe that it was the Transients, whose nature is fleeting, who turned the Elementals against the other spirits. Others believe that Inferno, the Fire Elemental, whose rage is unmatched and unquenchable sought dominion over the tranquil spirits of the Realm of Peace. This in turn necessitated an alliance among the spirits of all other realms. The Elementals are powerful, and the Transients are deceitful. Truthfully, not even the spirits of other realms know the exact cause of the War, but its end is legendary among all intelligent beings. It was the War of Creation, and the catalyst to all other wars.

It was Flint, the Earth Elemental, who met with Efell, a spirit of the Realm of Peace in secret to bargain for a cease-fire. Never before had two spirits, especially not from different realms fallen in love. Their union was a turning point in the War. Their love transformed them, creating the Sanctuary; a place that can only be reached in love and in secret. It is their sanctuary, and any being, mortal or immortal, who attempts to reach it, never returns unless accompanied by a kindred soul. It is a place of deception. Those who know how to find it alone go and are trapped. It is thought of as an escape from death, but the cost of this life is eternal solitude. This is the only reachable place in the Realm of Secrets, and can only be accessed by way of the Kindred Realm.

Almost nothing is known about the Realm of Secrets, but it was after the union of Flint and Efell that the Kindred Realm was formed. The Kindred Realm was, and is, like the Sanctuary, only accessible by peaceful souls. In the beginning, it was not much more than a bright expanse. That is how the spirits who have traveled to its outer reaches still describe it, and it is ruled by the purity of unmuted, unapologetic love. For some time, the Kindred Realm remained a secret, but eventually its existence could not be kept hidden.

The Transients and the Elementals, who had been allied for so long turned against each other, formed other alliances, and strove for access and dominion of this new Realm that they would never reach, and their anger towards each other only grew. If realms can be created out of love, they can be created out of hate. Many weaker realms, the names of which we can never know were destroyed, and out of these were created the Dead Realms, the Realm of Darkness, and the Realm of Fear.

The War continued into eternity, until finally it ended. It was out of one of the mysterious Dead Realms that the Exile came. It was clear at the moment of her coming that she was an outsider. She spoke in riddles and in truth, and confounded all who encountered her, except those who understood that Death was not the reason for her coming. Many did not. Many assumed that this was the end, not of the war, but of existence itself, for she came from beyond what can be understood even by spirits. She was an Exile, even from those realms. Her nature was unlike that of any spirit that had yet been encountered in any realm. Some saw her as free, some saw her as shackled, some saw her as an answer, and some saw her as wholly dangerous. At times she was pursued—cautiously sought after, and at others she was avoided, even to the point of being chased out. She was, in many ways, a contradiction.

The Exile wandered through the realms, sometimes in flight, though as a peacemaker whenever possible. She grew tired as eternity dragged on and peace seemed so impossible, for her nature, strange as it was, could not withstand the fear and desolation of an endless war. She yearned for companionship; for a soul to accompany her to the Kindred Realm where she would be safe. She confided these feelings to Flint who agreed to speak with her after some persuasion, but their meeting was in vain, and had dire consequences. Efell, though he was a spirit of peace, did not approve of their meeting. He feared for the safety of his beloved, and believed that if it were known that she had met with the Exile, she herself would be scorned, or even exiled. Efell sought a meeting with the ruler of the Realm of Peace, and convinced him that the Exile was much more dangerous than she appeared. He convinced the ruler that her nature was deceptive, and that she shared many more similarities with the Transients than with the spirits of peace. And thus she was exiled from the Realm of Peace.

Again she attempted to meet with Flint, who seemed to be her one remaining friend in all the spirit worlds, but the earth elemental had submitted to the will of her beloved and the two had retreated to the Sanctuary. The Exile was now utterly alone. Not only that but she had been demonized by every spirit dimension. Eternity appeared bleak. There was nowhere for her to go, let alone be accepted. Something inside her was shattered, and as she realized this, she realized that it was her heart that had been broken—the heart she never knew she had. Never before had there been a spirit with a heart. A heart had to be given to be remade. She knew this, and she also knew there was no one to give her heart to. She pondered this as she thought of Flint and Efell and grew to understand that they were kindred spirits and nothing more. They protected each other. Their love was deep, but it was the love of friendship. The Exile could protect no one, but she could end the war. Her broken heart would be the Barrier—what we now know of as the Outer Realm.

At a moment in eternity the Abyss shattered and twisted. There was darkness and light. Reality broke and solidified. In a moment the Realms broke apart and in their midst arose solid ground; the sun and the moon; the stars; plants and animals; creatures of all kinds, and at this moment, the Exile died. The ground we walk on was once the heart of an outsider. It is because of this Heart that spirits cannot travel from one realm to another without the help of a human with a kindred soul. It is also because of this that there has never been another known spirit war. A heart must be shared to protect and create and save. That heart was shared with an entire world.

The Intensity Of Head-Space

Today is Star Wars Day, so of course I have to write about it. There’s so much I could write about. Realistically, it’s an absolutely amazing story. It has so much longevity, and as far as I know, it’s the closest we’ve got to a parallel universe. What I mean by that is, for one thing, it exists in several genres. Regardless of the quality, one can read, watch, and play Star Wars. This has been true since the very beginning. The universe exploded with A New Hope, and it’s still expanding. What is also significant is that is the amount of contributions from fans. The people who love this story shape what happens in its future and in the parts of the galaxy we wouldn’t otherwise see.

The latest RPG I’ve been a part of is a Star Wars rendition of Dark Heresy. We decided to go this route because we understood and cared about that universe. The time period our game takes place in is the height of the Empire (between Revenge of the Sith, and A New Hope), far away from where the “main story” is taking place. Before this, I had been part of two Dungeons and Dragons campaigns. I hastily threw together my characters, not thinking too much about who they really were, what they cared about, or where they came from. This time I took time.

My character’s name is Sky Turin. Before becoming a Jedi padawan she lived with her father on the lowest level of a planet similar to Coruscant, though this was not where she was originally from. Her parents were from the Sky, which was the wealthiest part of the planet. Think of Cloud City. The Surface, where she lived for most of her early life was the poorest. Her parents were what would probably be the Star Wars version of missionaries, working to empower the poorest people on the planet. When Sky was nineteen she rescued a Jedi, not much older than herself, who crash-landed in her neighborhood while in pursuit of a Dark Jedi. Dark Jedi, if you don’t know, were force-users who were not directly allied with the Jedi or the Sith. They generally minded their own business, but the few Jedi who remained after the Empire took most of them out pursued them, either to bring them over to their side or detain them if they could.

While Sky was helping Val escape, Val discovered that Sky could use the Force, though she didn’t know what she was doing at the time. Sky went with Val to the remaining Jedi–none of them officially masters–and was permitted to learn the Force and become a Jedi herself, as the Jedi were desperate for recruits. After some preliminary training with a light saber, Sky and Val went to a planet similar to Earth to investigate a possible meeting of Dark Jedi in a mountainous area, similar to the Rocky Mountains. While they were there they were ambushed and captured. Their captivity didn’t last long, however, because Val was extremely powerful with the Force. They were able to escape, but had to leave in separate ships. When Sky returned to the Jedi council, she discovered that Val had not returned. The council would not permit her to look for Val, so she left and began searching against their will. This is where I entered our campaign. While I don’t know the specifics of where the story is going, I do know that Sky is assertive, hates the Dark Jedi, hates the Empire, and mistrusts the Jedi themselves. She has been taught that the Dark Side is evil, and will lead to her own destruction, but she’s so obsessed with finding Val that she will most likely not always stick to the Code entirely. She’s also impulsive and will probably make some stupid decisions.

I considered writing Sky’s story in full detail. In fact, I tried, but she’s too distant from me, for lack of a better way to say it. Ironically, I think I have trouble creating a story in an already existent universe. My novel takes place in a future version of the U.S., but almost everything about that world is my own. It feels awkward to me to write about a universe that someone else made, even if I’m inventing most of the details of a story that is otherwise original. It feels weird to talk about the Force and the Empire and the Jedi as if they were my own. It feels invasive in a way, like I’m invading someone else’s creative space. At the same time, the Star Wars universe has always seemed very inviting when it comes to original ideas. I think what this ultimately comes back to is that I’m much better at coming up with characters than I am at coming up with plot. I’m great at writing their past, but when it comes to writing their present, I often get stuck.

I’ve written two hundred pages of my novel thus far, and I’m about fifty pages into Part 2. Part 1 was a lot easier to write. So far I’ve had to write two battle scenes. I think they were both okay, but they both need work. I have trouble with timing and intensity. Right now I’m working on a captivity situation. I have to deal with the head-space of a character who has just been captured and is about to be interrogated by an evil government. This kind of scene is slower, but I think, just as intense, and I’m much better at writing this kind of thing. I think Star Wars is a very action-oriented story, and maybe this is why I have trouble writing in that universe.

One of the greatest stories I’ve ever read is Crime and Punishment by Fyodor Dostoevsky. Most of that story takes place in dialogue and internal thoughts, which one might assume would be boring, but it’s anything but. Solitude, in particular, can make for some seriously intense character and plot development. Head-space, while mostly metaphorical, is still space, and in that space, anything can happen. In that space, a character can go insane or overcome impossible odds. A person’s psychology makes them who they are, and plot can’t exist without characters. A world without people in it doesn’t matter.

I’ve seen some great and some terrible post-apocalyptic movies. I’ve noticed two things regarding these, and regarding my story. First, the movies that are good have more people in them. It’s hard for a story to maintain its momentum when no one is around to keep things going. Second, what I’ve noticed, and sometimes want to smack myself for, is that I keep creating more characters. My story takes place over a very large area–basically the entire United States. I’ve noticed that the space in which a story takes place tends to correspond with the number of characters that are needed to keep the story going. Sometimes great movies or great stories take place in one house, or even one room. Sometimes there are only two or three characters involved, and these stories can be great. Some of the most intense scenes in my story are conversations or even internal monologues.

Interestingly, in the case of Star Wars, we really don’t get to see too much of the characters’ head-space, at least not directly. Their personalities come out in how they react and adapt to various situations. This is clearly effective because we know and love characters like R2D2 and Chewbacca, who never even speak a word of English. However, I think to get to know characters in this way, there needs to be constant action. There isn’t a lot of time, or even good reason to slow down. Finding a happy medium is definitely difficult. I think the few exceptions are the exchanges between Luke and Vader in Return of the Jedi, but even these are short and almost invariably turn into light saber fights. The thing about dialogue is that it has to be executed well. There are far more longer exchanges in The Phantom Menace-Revenge of the Sith, but they’re often not well written. They’re either boring or cheesey. If there had been less talk and more action, I think they would have been better movies.

Because in my world guinea pigs can fly!

Language And Culture

Over the past year or so, as I’ve been writing my book, I’ve been paying more attention to characters that are underrepresented in popular media. The first I noticed were people with disabilities. We’re hardly even on the map. Hopefully my novel will help fix that to a degree. The other I’ve noticed are “normal” people who happen to be Christian. What I’ve seen in TV shows and movies is that Christians are generally represented in two ways. The stock Christian characters are almost always either Bible beating, ignorant jerks, or intellectually stunted, and thoroughly content.

When I was a little kid, my dad told my brother and me lots of stories–stories he made up, old Greek myths, as well as stories from the Bible. I learned about Echo and Narcissus at the same time I was learning about Adam and Eve and Noah. I grew up on mythology, science fiction, and fantasy, and I made it through the public school system intellectually unscathed. I learned (or at least tried) about Chemistry, math, biology, evolution, and physics, and I don’t question the facts regarding those subjects. The point I’m trying to make is that the largely agnostic and atheistic culture has a tendency to stereotype. I want to see Christian characters who are smart, funny, and nice, because a lot of us are.

I have a friend who is very into social justice–women’s rights, LGBT rights, race relations–if there’s a social disparity, she knows and cares about it. I admire her for it, but at the same time, she’s so militant and angry about it sometimes that it can get tiresome. Last night she was talking about how there is so much corruption in our country’s justice system, regarding racism and police violence. She has mentioned before that she is very wary of people in positions of authority, especially when those people have access to weapons. To be fair, at least right now, I feel like the people in authority in our country are kind of useless, but I don’t distrust them per se.

It’s easy to stereotype, and we all have a tendency to do it. While some authority figures are corrupt and untrustworthy, some, in fact I’d say probably most, are good people. The same can be said for Christians. People notice the jerks and publicize them because it’s easy and because they make the most noise. The truth is that most of us are reasonable and nice. I would just love to see a moment in a movie or TV show where something good happens because a Christian character was kind to someone or gave them advice, or because they prayed. It doesn’t have to be corny. It can be done artfully.

I will say that sometimes an issue I have with Christian culture is that it has a tendency to lag behind the culture of the Country in general. This is partly out of necessity. We can never deviate from the core teachings and beliefs of the Church, but we need to be more willing to adapt without compromising our faith. We’ve done it since the Church began, but culture changes with such increasing speed in the 21st Century, that it’s harder to keep up. One thing that I think should be an easy fix that the Church has largely neglected, however, is the language we use. For example, I still pray the ye oldie version of the Lord’s Prayer because that’s how I learned it: “Our Father who art in heaven, hallowed be thy name…” I mean it when I pray it, but it’s the only time I talk like I was around when Shakespeare was writing Hamlet.

How a person expresses him/herself has a large impact on how that person and their ideas are viewed. Many Christian ideas are considered cliche or uncool because we’ve been using the same language and motifs to express our beliefs since the beginning of time. It’s why I often can’t listen to Christian music outside of worship for an extended period of time. Artists just recycle the same stories, images, and metaphors over and over. This is due, in part, to the of fact that many ideas and images are taken straight from the Bible, which again, is relevant in a worship setting, but isn’t going to be helpful when it comes to bringing people to the Church, which I’m much more interested in doing, at least when it comes to music.

However, I think there aren’t many actually interesting Christian characters in popular movies and TV for similar reasons. I think part of the issue is that Hollywood at least is largely secular, and the people who make the best movies honestly just don’t know how to write good Christian characters. What would that character be like? Maybe they’d be like me–a dorky writer who  plays pen and paper RPG’s and teaches religious ed once a month. Maybe they’d be a physics teacher who chose that job to try and expand his students’ intellectual horizons. Maybe they’d be someone with psychic powers, trying to figure out if using those abilities encroaches on God’s authority, while at the same time, trying to save the world from certain doom.

A character’s religion does not dictate their entire personality. In terms of characteristics, it is equal to their interests, their profession, their education, their upbringing, and everything else that makes a person a person. It is another factor that makes them unique. I bring this all up because I’m tired of seeing Christian characters that are nothing more than the designated annoying Christian character. I just want characters that are interesting human beings who happen to believe in Jesus, just as I want to see more interesting characters who happen to have some kind of disability. I’m tired of factors like these being defining characteristics above all else. I’m tired of annoying stereotypes that put me in categories I don’t belong in.

Because in my world guinea pigs can fly!

Accidents

Earlier today I accidentally said “I love you” to a friend before hanging up the phone. He said it back, and it didn’t seem to phase him, but to me at least, it’s still a little awkward. He has a fiance, and he knows I don’t “like” him in that way, but I don’t think I’ve ever said that to him. It was just automatic. I say “I love you” to certain people when I hang up the phone. It’s just a little weird for me because I used to have a crush on him, and I don’t know if he knows that. Furthermore, he’s been my guitar teacher, a spiritual mentor, and for a short time, my boss. For the record, he was calling to reschedule my violin lesson because he’s commandeering my lesson room to work on a recording project with another client and the studio needs to be quiet. I’ve been told I make an awful lot of noise.

Earlier this morning I had a little talk with God. I’ve been trying to let him drive, and in doing that, I’ve been trying to figure out what he needs me to be doing. I’ve come to terms with the fact that I don’t entirely control my own fate. My Muscular Dystrophy keeps me from doing a lot of what I would consider “heroic” things. I’m not a hero in the way I would like. For a long time I’ve thought of myself as a minor character in someone else’s story, though whose I’m not sure. I’ve thought that I’ll always be the harmony to someone else’s melody. You get the idea. This morning I had a different thought. I’ve been trying to be the main character in a story that isn’t mine. I have to figure out what my story is.

There is a part of me that has always wanted to counter evil. I’ve never entirely figured out how. There are a lot of reasons for this. I’m still financially unstable, I’m not physically capable of doing a lot of things, and admittedly, I have short attention span, among other things. The leaders in the Church, and people all over the world and all over the internet emphasize the power of prayer. I know it works. I’ve seen miracles happen, but I’m impatient, and it seems counter-intuitive to think that just asking for something means you will get it, even if it’s not in the way you had imagined.

My story will never be a grand epic. At least I don’t imagine it will be. This morning I told God that there are important problems in this world that I just don’t and can’t care about. One simply cannot care about every single world problem. We’d all fall apart if we did. I care the most about two things: the salvation of my friends, and the destruction of ISIS–eventually, an ultimate end to war. Neither of these things are easy to achieve, and I’m not sure how much I can do about the second issue.

I’ve been trying to understand the Holy Spirit a bit more, and I’ve come to realize that he doesn’t give power to humans, at least not in the way we think. The way I understand it is that in this world that God has created, there is a physical realm and a spiritual realm. God can work in and manipulate both on his own, but in the physical realm, he often prefers to use physical means of doing things. He uses people to get his work done. He doesn’t give us power. He uses us as vessels of his power. I’m hesitant to say he works through us because to me that sounds like he kind of works around us, which isn’t exactly true. What I’m trying to explain is that we can’t just do whatever we want with the power that he gives us. It’s only “helpful” if we follow his lead.

I’ve been praying about it for at least three years now, but I constantly have to remind myself that I can’t save my friends. Not only that, but God can’t save them unless they choose to believe. Changing the spiritual opinions of five very smart, very opinionated people is not an easy task. I just wish I could get inside their heads and figure out what keeps them from believing. I’ve only been a Christian for five years or so, but I can’t imagine going through life, especially going all through college and adulthood not knowing that I’m being cared for and that, no matter what, everything is going to be okay. If nothing else, it makes me so much more comfortable with the fact that the future is uncertain, at least from my point of view.

I became Christian when I accidentally said “I love you” to God. I believed in his existence before I knew him, and I prayed about things with increasing frequency, especially after my first semester at a Christian college. I’m starting to think that that accidental “I love you” means something. “I love you” is something you say when you’re being your most honest and your most vulnerable. Come to think of it, I’ve been saying it to my closest friends more overall lately. I often find myself hesitating to say it because it’s corny, or because I question whether it’s an appropriate thing to say in certain situations, but I’m starting to think that life is too short, and you should never hold back those words.

I will never be the hero in a traditionally epic story, but there are five lost souls that I could have a hand in finding. Whether or not a story is important or interesting is largely a matter of semantics. The size and actual scope of this story seems small, and I haven’t taken a close enough look at what’s at stake. The setting of this story is largely in words on the internet, in my house, and in our heads. I’m not taking up arms against demons, and I’m not magically saving anyone. It’s not a story I would likely read. It’s my story nonetheless, and I will gladly be its hero. That accidental “I love you” is my weapon. I am God’s ambassador to the dark souls of my friends. I can do that because I’ve studied theology and philosophy and writing. I know how to debate, and most importantly, I know how to love.

Because in my world guinea pigs can fly!

Characters

On New Year’s Eve I gave one of my friends a general synopsis of the first half or so of my novel. Then something occurred to me. I have a lot of female characters. It’s not so much the number that might end up being a problem when it comes to reaching certain audiences. It’s their personalities. I have more dudes in my story than ladies, but the ladies are beasts. With the exception of a minor character who I’ve already killed off, there is no “damsel in distress.” My girls all have their issues, but they don’t need a guy to sort them out. In fact, three out of my four main female characters have psychic powers where only two of my seven male characters have these abilities. None of this was intentional. My main characters almost completely invented themselves.

The real problem will most likely be my Super Soldiers or Clone Army, if you like. They’re all female. They’re barely human at this point, but they are female nonetheless. Admittedly, it was intentional. The evil army is always male. Why not make them female? The person they cloned just happened to be a woman. While it was intentional, I don’t want to make a big deal out of it, especially since the person who is in charge of the cloning process, and the highest in command, is a dude. I am quite positive that someone will hate this. Someone is going to whine and tell all his friends to boycott my book. It’s just kind of a bummer because I think it’s a fun story. Furthermore, the gender of my Super Soldiers really doesn’t matter. They’re basically mindless, and aren’t even going to appear until late in the story.

I’m more of a feminist than I used to be, and honestly, I think it’s because I see a lack of strong female characters in fantasy and science fiction. In fact, many of my favorite stories have very little female presence. It’s hard to explain because I don’t really mind, but at the same time I do. I have no problem rooting for male heroes. I will forever have a weird sci-fi crush on (young) Luke Skywalker. At the same time, rooting for only male heroes gets tiresome. Honestly, the only real reason I have is that I’m a girl, and I want to be able to empathize with a female hero. Sometimes it just makes it easier to get into her head space, if nothing else. Furthermore, I think it makes it easier to insert myself into a particular universe and make my own story if I have an easy starting point, even if it’s just that the hero happens to also be a lady from a boring town, or what have you.

Over the past year or so, I’ve been playing Dungeons and Dragons, and a game we adapted from Dark Heresy with my friends. I’m the only lady in the group. Most of the time I don’t care except that I eventually notice that, a lot of the time, there aren’t even that many female NPC’s (Non-Player Characters). Sometimes, depending on the DM, there aren’t any. It’s like I’m the only alien to escape from a desolate planet and land on Earth. I guess it must just be natural to make certain characters in certain roles be a certain gender because of factors like your own gender, your upbringing, tradition, etc. There must be a million different factors that contribute to this. I don’t blame my friends. More than anything else, I’m looking for an interesting story. If I’m the only girl, then so be it. I happen to be our group’s designated Jedi, so clearly I’m the best.

To be honest, it kind of annoys me when people get all up in arms about gender issues or race relations or what have you. I know there are still bigots of every kind out there. I just don’t entirely understand why. What I mean is that, I don’t think that stuff should matter. It just seems to me that sometimes people put far too much emphasis on their gender or their sexuality or their skin color. Sure, I’m a woman in a still somewhat patriarchal society, but that’s not the most important thing about me. In fact, I really don’t feel like my gender matters that much at all. I’d say, more than anything else, I’m a Christian and a nerd. I think those are the most defining parts of my personality. Literally anyone can be those things. It’s not particularly special.

I guess my sentiments about all this come partly from cultural automatics, but also from the fact that I’m a pacifist and an optimist. I live in an extremely tolerant part of the country, in an affluent, boring suburban town. Furthermore, it takes a lot to actually get me angry. Most of the time, my initial reaction to problems is “that can be fixed,” or even, “I can fix that.” As I’ve mentioned before, my story is partly a thought experiment in a few different ways, but it started as a fun idea I had while on a wander last spring. I don’t have an agenda. I have some strong female characters, and some disabled characters because I want to. Those kinds of characters represent who I am in some ways, and part of the point of fiction is to be able to make a new world for yourself. If people have a problem with it, it’s on them.

Because in my world guinea pigs can fly!